Placing journalism in art. Can you?

November 15, 2007

Can journalism be art? And by that I have no intentions as to how to respond to such an open-ended question. But for myself I am asking from a few discussions I have recently partaken in. There is the aesthetic element that goes into reporting the news, but also there is the literary element. How you write, how you express your opinions, how you organize what is written? All of these have aesthetic elements but do those elements make journalism art?


The newspaper became part of art with Picasso’s collage. Where is it now and can a journalist be an artist? What about a news reporter? Benjamin wrote that it was fascism that made politics art and thus created Triumph of the Will. But perhaps journalism had something to do with it as well.



I don’t have answers yet as to the connection between journalism and art, but at the very least I do not think they are completely separate.





Triumph of the Will

November 13, 2007

Just finished watching this film in its entirety. Leni Riefenstahl’s Triumph of the Will is probably remembered and will be remembered as the most controversial documentary/propaganda film of all time. I personally am not a big fan of “all time” statements but with this film you never know. I figured since I was watching on a computer and had some time to kill afterwards I’d state my initial reactions here.

First I understand why a class based around identifying and discussing different approach to modernism would include this wor. At the very least it asks many questions about what is art. We’ve already been exposed to the fringes of artistic definition with Duchamp and the Dadas but what this offers is that bridge connecting politics and art. What can be concluded or at least suggested from such a film is that art is not, and never was, a separate category. Art was and is always connected with the world in which it was created, thus the link between the highly politicized Germany and the newly invited modern art medium of film can be better established.

But is it art? here is where Benjamin’s piece, “Art in the Age of Mechanical Reproduction” really takes a stance. It isn’t good art, it represents the commercialized consumer art that is trying desperately to recreate the lost aura. We do not need that aura, so don’t feed us it! The aura died and with it an age of art, but not art itself.

Film and now digital electronic art are creating a new meaning, not a new aura but rather a new understanding of art and the role it plays. I believe here is where the idea of art as an interaction plays a large role, in my interaction with this film I did not find art, I found history, propaganda, and some beautifully framed shots. But beauty is by no means art.

So in my opinion, but that opinion only of the moment and subject to change upon my next interaction with this film, is that it is not art but propaganda, a category of objects that like to look like art in order to persuade the masses.